France d'Europe Pétrole en gros Peignant, le Cadre d'Image, Mouler, le Miroir, les Barres de Civière

 
 

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Francois Boucher

French Rococo Era Painter, 1703-1770

ID de tableau::  147
The Toilet of Venus
La Toilette de Vénus
1751 Metropolitan Museum of Art, New York
1751 Le Musée métropolitain d-Art, New York
French Rococo Era Painter, 1703-1770

   
 

 

 
   
      

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Diego Velazquez

Spanish Baroque Era Painter, 1599-1660

ID de tableau::  34692
The Toilet of venus
La Toilette de vénus
mk96 about 1647-1651 123x177cm
mk96 à peu près 1647-1651 123x177cm
Spanish Baroque Era Painter, 1599-1660

   
 

 

 
   
      

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Diego Velazquez

Spanish Baroque Era Painter, 1599-1660

ID de tableau::  40472
The Toilet of Venus
La Toilette de Vénus
mk156 1647-51 Oil on canvas 122.5x177cm
mk156 1647-51 Huilent sur le canevas 122.5x177cm
Spanish Baroque Era Painter, 1599-1660

   
 

 

 
   
      

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Francois Boucher

French Rococo Era Painter, 1703-1770

ID de tableau::  40557
The Toilet of Venus
La Toilette de Vénus
mk156 1751 Oil on canvas 108.3x85.1cm
mk156 1751 Huilent sur le canevas 108.3x85.1cm
French Rococo Era Painter, 1703-1770

   
 

 

 
   
      

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Diego Velazquez

Spanish Baroque Era Painter, 1599-1660

ID de tableau::  43105
The Toilet of Venus
mk170 1647-1651 Oil on canvas 122.5x177cm
Spanish Baroque Era Painter, 1599-1660

   
 

 

 
   
      


ID de tableau::  55730
The Toilet of Venus
mk244 c.1628-1639 Oil on canvas 183.8x153cm

   
 

 

 
   
      

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Zygmunt Waliszewski

(1897-1936) was a Polish painter, a member of the Kapist movement. Waliszewski was born in Saint Petersburg to the Polish family of an engineer. In 1907 his parents moved to Tbilisi where Waliszewski spent his childhood. In Tbilisi began his studies at a prestigious art school. In 1908 he had his first exhibition and participated in the life of artistic avant-garde. During World War I he fought with the Russian army, returning to Tbilisi in 1917. He visited Moscow several times and became inspired by the Russian Futurists. He, later, became a member of a Futurist group. In the early 1920s, he departed for Poland, and settled in Krakew. Between 1921 and 1924 he studied at Academy of Fine Arts in Krakew in the studios of Wojciech Weiss and Jezef Pankiewicz. In 1924 he went to Paris with his avante-garde group and continued his studies in painting there under the guidance of Pankiewicz. He was a participant in the Capists' plein-air painting workshops in Cagnes, Valence, Cap Martin, and Avignon. At the Louvre, he painted copies and travesties of the works of old masters like Titian, Veronese, Velezquez, Vermeer, Goya, and Delacroix. He was also fascinated by the art of Cezanne, van Gogh, and Matisse. In 1931 he returned to Poland, residing in Warsaw, Krzeszowice, and Krakew. During this time Waliszewski designed scenery and posters, created book illustrations, drew and painted caricatures and grotesque scenes. In Krakew he befriended the Polish Formists. Waliszewski painted primarily portraits and figural compositions and landscapes of the rural countryside. He died suddenly in 1936.

ID de tableau::  95925
The Toilet of Venus
Date 1921(1921) Medium tempera and watercolor on paper Dimensions 73.5 x 99 cm (28.9 x 39 in) TTD
(1897-1936) was a Polish painter, a member of the Kapist movement. Waliszewski was born in Saint Petersburg to the Polish family of an engineer. In 1907 his parents moved to Tbilisi where Waliszewski spent his childhood. In Tbilisi began his studies at a prestigious art school. In 1908 he had his first exhibition and participated in the life of artistic avant-garde. During World War I he fought with the Russian army, returning to Tbilisi in 1917. He visited Moscow several times and became inspired by the Russian Futurists. He, later, became a member of a Futurist group. In the early 1920s, he departed for Poland, and settled in Krakew. Between 1921 and 1924 he studied at Academy of Fine Arts in Krakew in the studios of Wojciech Weiss and Jezef Pankiewicz. In 1924 he went to Paris with his avante-garde group and continued his studies in painting there under the guidance of Pankiewicz. He was a participant in the Capists' plein-air painting workshops in Cagnes, Valence, Cap Martin, and Avignon. At the Louvre, he painted copies and travesties of the works of old masters like Titian, Veronese, Velezquez, Vermeer, Goya, and Delacroix. He was also fascinated by the art of Cezanne, van Gogh, and Matisse. In 1931 he returned to Poland, residing in Warsaw, Krzeszowice, and Krakew. During this time Waliszewski designed scenery and posters, created book illustrations, drew and painted caricatures and grotesque scenes. In Krakew he befriended the Polish Formists. Waliszewski painted primarily portraits and figural compositions and landscapes of the rural countryside. He died suddenly in 1936.

   
 

 

 
   
      

Zygmunt Waliszewski
(1897-1936) was a Polish painter, a member of the Kapist movement. Waliszewski was born in Saint Petersburg to the Polish family of an engineer. In 1907 his parents moved to Tbilisi where Waliszewski spent his childhood. In Tbilisi began his studies at a prestigious art school. In 1908 he had his first exhibition and participated in the life of artistic avant-garde. During World War I he fought with the Russian army, returning to Tbilisi in 1917. He visited Moscow several times and became inspired by the Russian Futurists. He, later, became a member of a Futurist group. In the early 1920s, he departed for Poland, and settled in Krakew. Between 1921 and 1924 he studied at Academy of Fine Arts in Krakew in the studios of Wojciech Weiss and Jezef Pankiewicz. In 1924 he went to Paris with his avante-garde group and continued his studies in painting there under the guidance of Pankiewicz. He was a participant in the Capists' plein-air painting workshops in Cagnes, Valence, Cap Martin, and Avignon. At the Louvre, he painted copies and travesties of the works of old masters like Titian, Veronese, Velezquez, Vermeer, Goya, and Delacroix. He was also fascinated by the art of Cezanne, van Gogh, and Matisse. In 1931 he returned to Poland, residing in Warsaw, Krzeszowice, and Krakew. During this time Waliszewski designed scenery and posters, created book illustrations, drew and painted caricatures and grotesque scenes. In Krakew he befriended the Polish Formists. Waliszewski painted primarily portraits and figural compositions and landscapes of the rural countryside. He died suddenly in 1936.
The Toilet of Venus

        
 
   
 

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